Neon Parc | Damiano Bertoli

Naarm / Melbourne, Australia (1969–2021).

Damiano Bertoli, Continuous Moment: Le désir...(St. Tropez #9, after Tim Page), 2018, Pencil on Hahnemüle paper, 77 x 115 cm

Selected works (21)

Exhibitions (6)

‘2021–1969’
Brunswick
15 Sep.–1 Oct.
2022

‘Superpositions’
Brunswick
10 Jul.–29 Aug.
2020

‘Associates’
City
6 May.–6 Jun.
2014

‘Continuous Moment: Le Desir’
City
7 Sep.–8 Oct.
2010

‘Goodbye Surfing, Hello God!’

31 Jul.–31 Aug.
2007

‘Book Launch’

–

Curriculum vitae (PDF)

Recent Solo Exhibitions

2020: ‘Superpositions’, Neon Parc, Melbourne
2019: ‘Superpositions’, Mackintonsh Lane, London
2017: ‘Gertrude Edition 2017 - Damiano Bertoli’, Gertrude Glasshouse, Melbourne
2016: ‘Continuous Moment: Big Foot’s Studio’, Margaret Lawrence Gallery, Victorian College of the Arts,
Melbourne
2015: ‘Damiano Bertoli: Come to Now’, TCB Art Inc, Melbourne
2014: ‘Associates’, Neon Parc, Melbourne; ‘Continuous Moment: Sordid’s Hotel’, Centre for Contemporary Photography, Melbourne
2011: ‘Continuous Moment: Anxiety Villa’, IMA@Surfers, Gold Coast Continuous Moment: Anxiety Villa,
Artspace, Sydney
2010: ‘Continuous Moment: Le Desir…’, Neon Parc, Melbourne Continuous Moment: Le Desir…, Milani
Gallery, Brisbane
2009: ‘Continuous Moment: Bad Infinity’, The Narrows, Melbourne
2008: ‘Continuous Moment: I’m Ok, You’re Ok’, CACSA, Adelaide Continuous Moment, Geelong Art Gallery,
Geelong
2007: ‘Goodbye Surfing, Hello God!’, Neon Parc, Melbourne
2006: ‘Continuous Moment: Hot August Knife’, MOP Projects, Sydney
2005: ‘Continuous Moment: Hot August Knife’, Ocular Lab, Melbourne
2003: ‘Continuous Moment’, Gertrude Contemporary Art Spaces, Melbourne
2002: ‘Frightened of This Thing That I’ve Become’, 1ST FLOOR, Melbourne
2000: ‘Lagrange’, Studio 12, 200 Gertrude Street, Melbourne
1998: ‘Damiano Bertoli’, 1ST FLOOR, Melbourne

Selected Group Exhibitions

2020: ‘Uptown’, various locations, Melbourne; ‘12 x !2’, 72 Smith St. Collingwood, Melbourne
2019: ‘DAMA Projects’, Turin, Italy; ‘The Moon’, Geelong Art Gallery, Geelong; ‘Unfinished Decor’, Blindside, Melbourne
2018: ‘NADA Miami’, Miami; ‘Spring1883’, Windsor Hotel, Melbourne; ‘Melbourne Art Theatre’, RMIT, Melbourne
2017: ‘Raafat Ishak & Damiano Bertoli: Hebdomeros’, Sutton Gallery, Melbourne; ‘I Love Pat Larter’, Neon Parc, Melbourne; ‘Seeing Voices’, touring exhibition, Monash University Museum, Melbourne; ‘Misshapen Head’, Neon Parc, Melbourne; ‘Future Eaters’, Monash University Museum of Art, Melbourne; ‘The End of Time, The Beginning of time’, Gertrude Contemporary
2016: ‘Atmospherics - The Geelong Art Gallery Collection’, Geelong Art Gallery, Geelong; ‘Dancing Umbrellas: An Exhibition of Movement and Light’, Heide Museum of Art,
Melbourne; ‘Planning for Tomorrow’, CACSA, Adelaide; ‘National Works on Paper’, Mornington Peninsula Regional Gallery, Mornington; ‘Neon Parc 2006/2016’, Neon Parc, Melbourne; ‘Speaking Volumes’, Fremantle Arts Centre
2013: ‘Video Arte Australia y Neuva Zelanda’, Centro Cultural Matucana, Santiago, Chile Melbourne Now,
National Gallery of Victoria, Melbourne; ‘Drawing Now (Melbourne Now)’, NGV, Melbourne; ‘Video Contemporary’, curated by Mark Feary, Sydney; ‘My Avant-Garde is Bigger Than Yours’, KINGS ARI, Melbourne; ‘Sydney Contemporary’, Carriageworks, Sydney; ‘Like Mike’, Charles Nodrum Gallery, Melbourne; ‘Collage: The Heide Collection’, Heide Museum of Art, Melbourne; ‘Lie of the Land’, Geelong Art Gallery, Geelong; ‘Drunk vs Stoned XIII’, Neon Parc, Melbourne
2012: ‘Deep Inside’, Hamish Mckay Gallery, Wellington; ‘Radio Alice’, Margaret Lawrence Gallery, Victorian College of the Arts, Melbourne Post-Planning, Ian
Potter Museum of Art, Melbourne; ‘Chinatown, The Sequel’, LTD Los Angeles, Los Angeles, USA
2011: ‘New Psychedelia’, University of Queensland Museum, Brisbane; ‘When The Dead Help the Living’, Light Projects, Melbourne; ‘Reason and Rhyme’, Gertrude Contemporary, Melbourne; ‘Cognitive Dissonance, Cottage Home’, Los Angeles, USA; ‘Yebisu International Festival for Art and Alternative Visions’, Tokyo Metropolitan Museum of
Photography, Tokyo, Japan; ‘An Exchange with Sol LeWitt’, Mass MoCA, North Adams, Massachusetts, USA
2010: ‘Stick It! Collage in Australian Art’, National Gallery of Victoria, Melbourne City of Hobart Art Prize,; Tasmanian Museum and Art Gallery, Hobart Event Horizon, Centre for Contemporary Photography,; Melbourne; ‘The Nothing’, WestSpace, Melbourne, and Chalk Horse, Sydney; ‘Please Don’t Let Me Be Misunderstood’, Waterside Pavilion, Hobart Silent Nights, Light Projects,; Melbourne; ‘The Narrows Monochromes’, The Narrows, Melbourne

Collections

Artbank
City of Fremantle
Geelong Art Gallery
Deutsche Bank (Australia)
Private collections in Australia, New Zealand and Italy

(close)

Damiano Bertoli, Superposition #4, 2019, Inkjet pearl print, 160 x 125 cm, Ed. 2/3 + 2 AP

Damiano Bertoli, Superposition #6, 2019, Inkjet pearl print, 160 x 125 cm, Ed. 1/3 + 2 AP

Damiano Bertoli, Thin Anxiety (Ultra/ Dora), 2016, Lustre print on Dibond, 100 x 73 cm, Edition of 3

Damiano Bertoli, Les Deux Toutous (Taylor/Kate), 2016, Lustre print on Dibond, 100 x 73 cm, Edition of 3

Damiano Bertoli, Les Deux Toutous (Taylor/ Marie-Thérèse), 2016, Lustre print on Dibond, 100 x 73 cm, Edition of 3

Damiano Bertoli, Performance Revolutions (Le désir) #1, 2017, Unique hand-tinted prints on Hahnemühle Torchon paper, 40 x 50 cm, Edition of 10

Damiano Bertoli, Performance Revolutions (Le désir) #2, 2017, Unique hand-tinted prints on Hahnemühle Torchon paper, 40 x 50 cm, Edition of 10

Damiano Bertoli, Performance Revolutions (Le désir) #3, 2017, Unique hand-tinted prints on Hahnemühle Torchon paper, 40 x 50 cm, Edition of 10

Damiano Bertoli, Performance Revolutions (Le désir) #4, 2017, Unique hand-tinted prints on Hahnemühle Torchon paper, 40 x 50 cm, Edition of 10

Adriano, 2016, Coloured pencil on Fabriano 320 gsm, 119.5 x 84.5 cm (framed)

Damiano Bertoli, Le Cousine (The Cousin), 2016, Foamex, photographs, wool, leather, acrylic, Styrofoam, high impact polystyrene, custom plinth (MDF), 245 x 150 x 70 cm

Damiano Bertoli, Continuous Moment: Le désir...(St. Tropez #8, after Tim Page), 2018, Pencil on Hahnemüle paper, 77 x 115 cm

Damiano Bertoli, Thin Anxiety, 2016, Fibreglass, Garment, Photograph, Foamex, Acrylic, Plastic, Custom Plinth (MDF) 220 x 110 x 70 cm

Damiano Bertoli, Boots, 2016, Foam, Acrylic, Paper, Custom plinths (MDF), 160 x 90 x 90 cm, (Boots – 60 x 30 x 30 cm each)

Damiano Bertoli, Thin Anxiety/Big Foot, 2011/2018, Bronze, 126.5 x 36 x 19 cm, Edition 1 of 3 + 2 AP

Damiano Bertoli , Mara , 2013 , Pencil on BFK Rieves 320 gsm, 119.5 x 84.5 cm (framed)

Damiano Bertoli, Superposition #4, 2019, Inkjet pearl print, 160 x 125 cm, Ed. 2/3 + 2 AP

Damiano Bertoli , Renato , 2013 , Pencil on BFK Rieves 320 gsm, 119.5 x 84.5 cm (framed)

Damiano Bertoli, Silvia, 2016, Coloured pencil on Fabriano 320 gsm, 119.5 x 84.5 cm (framed)

Damiano Bertoli, Continuous Moment: Le désir...(St. Tropez #9, after Tim Page), 2018, Pencil on Hahnemüle paper, 77 x 115 cm

Damiano Bertoli, Continuous Moment: Le désir...(St. Tropez #10, after Tim Page), 2018, Pencil on Hahnemüle paper, 77 x 51 cm