Neon Parc | Josey Kidd-Crowe

Born 1987 Naarm/Melbourne, Australia. Lives and works in Naarm/Melbourne, Australia.

Selected works (36)

Exhibitions (4)

‘Energie: Bone Cure’
Brunswick
14 May.–11 Jun.
2022

‘Dragnet Gambit’
City
16 Nov.–15 Dec.
2018

‘Material Art Fair’

3 Feb.–6 Feb.
2016

‘Josey Kidd-Crowe’
City
3 Apr.–27 Apr.
2012

Curriculum vitae (PDF)

Recent Solo Exhibitions

2022: ‘Energie: Bone Cure’, Neon Parc Brunswick, Melbourne
2020: ‘Dross, Dredge & Spoils’, Robert Heald Gallery, Wellington
2018: ‘Dragnet Gambit’, Neon Parc, Melbourne; ‘Droll’, Robert Heald Gallery, Wellington
2017: ‘…the thought an oyster has…’, Gertrude Glasshouse, Melbourne; ‘Dog-Legged Stair’, Punk Café, Melbourne
2016: ‘Pet-Shop Cookie’, Gertrude Contemporary: Studio 12, Melbourne; ‘as a weasel sucks eggs’, Robert Heald Gallery, Wellington Material Art Fair (w/ Neon Parc),
Mexico City
2015: ‘Stupor Hiatus’, Neon Parc, Melbourne
2014: ‘Office Ideals’, Upper Cannon, Melbourne
2013: ‘Noble Sofa’, Neon Parc, Melbourne
2012: ‘Josey Kidd Crowe’, Neon Parc, Melbourne
2011: ‘New Rooms for Old Rooms’, Lost Projects, Manila, Philippines
2010: ‘Poached Egg’, TCB Art Inc., Melbourne; ‘Here (Not Here)’, Allan’s Walk Artist Run Space, Bendigo, VIC; ‘Secession’, Gallery Eight, Sydney
2009: ‘illuminations (I left on a Wednesday after a Terrible Row)’, Allan’s Walk, Bendigo, VIC

Selected Group Exhibitions

2020: ‘Reproductions’, (curated by Nicholas Tammens), West Space, Collingwood Yards, Melbourne
2019: ‘Peasant’, Partisan, Neon Parc, Melbourne; ‘Culture Vulture (w/ Alexandra Peters), Uznadze Studios, Tbilisi, Georgia
2018: ‘The Widening Gyre’, Sumer Gallery, Tauranga, New Zealand; ‘100 years of Pirosmani’, Pirosmani State Museum, Mirzaani, Georgia
2017: ‘Gertrude Studios 2017’, Gertrude Contemporary, Melbourne; ‘ART & NOISE vol. 2’, Gertrude Contemporary Studios, Melbourne
2016: ‘Gertrude Studios 2016’, Gertrude Contemporary, Melbourne; ‘Neu Year’, Punk Café, Melbourne; ‘Pen (w/ Andre Piguet)’, Gertrude Contemporary: Studio 12; ‘Pet-Shop Cookie’, Gertrude Contemporary: Studio 12, Melbourne; ‘Painting. More painting.’, ACCA, Melbourne; ‘2006/2016’, Neon Parc, Melbourne; ‘Havenstrasse’ (w/Info-Punkt & Punk Café), Berlin; ‘Spring 1883’ (w/ Minerva), The Establishment Hotel, Sydney; ‘Atrophy Amphitheatre’ (w/ Centre for Style), National Gallery of Victoria, Melbourne
2015: ‘Underground Database Vol. 1’, Punk Café, Melbourne Casual Conversation, Minerva,
Sydney; ‘A Sinking Feeling’, Punk Café, Melbourne
2014: ‘Bad Gateway’, Brunswick Lake, Melbourne; ‘Spring 1883’, with Neon Parc, The Windsor Hotel, Melbourne
2013: ‘Sifting Through Plastic Gods’, Margaret Lawrence Gallery, Melbourne; ‘Drunk Vs. Stoned XIII’, Neon Parc, Melbourne
2012: ‘Afraid to be Good’, Lost Projects, Manila, Philippines; ‘Redlands Westpac Art Prize’, National Art School, Sydney
2011: ‘Art & Text’, Art Beat, Melbourne

Awards & Residencies

2011 Lost Projects, Manila, Philippines
2009 Peter De Garis Fine Art Services Award for Painting, La Trobe University, Bendigo
2009 Lia Teresa Memorial Prize, La Trobe University, Bendigo

Collections

Artbank, Sydney
Joyce Nissan Collection, Melbourne
Thomas and Alexander Collection, Brisbane
Private collections in Australasia

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Josey Kidd-Crowe, 'It is Necessary that the Word Strike a Dull Object', 2023. Oil on canvas, 175 x 137 cm.

Josey Kidd-Crowe, ‘Abersaythe', 2023. Silica, emulsion, oil on canvas, 180 x 150 cm.

Josey Kidd-Crowe, ‘Fronting the Mouths', 2023. Oil on canvas, 167 x 124 cm.

Josey Kidd-Crowe, ‘Outwitted Mass', 2023. Oil on canvas, 168 x 122 cm.

Josey Kidd-Crowe, ‘Quart of Plasma', 2023. Oil on canvas, 167 x 126 cm.

Josey Kidd-Crowe, ‘Adult Mind Games', 2023. Alumina hydrate, oil on polyester, 172 x 127 cm.

Josey Kidd-Crowe, ‘Manipulation of Attention', 2022. Oil and bleach on flocking velvet, 167.5 x 125.5 cm.

Josey Kidd-Crowe, ‘Moloch', 2022. Oil on cotton and polyester, 162.5 x 133.5 cm.

Josey Kidd-Crowe, 'Rabble rabble', 2017. Oil, acrylic, cotton, dirt and fabric on canvas, 137h x 168w cm.

Josey Kidd-Crowe, 'Chuckle', 2016. Shoelaces, seashells, sand, glass, and oil on canvas, 86 x 63 cm.

Josey Kidd-Crowe, 'Bunny by Night', 2015. Oil on canvas, 115 x 90.5 cm.

Josey Kidd-Crowe, 'Snoopy as Lou Reed and Elmo Sun Bather (Dog Den)', 2016. Oil, collage, ink and rocks on canvas, 98.5 x 73.5 cm.

Josey Kidd-Crowe 'I don’t like it when they drip lemon on my depths', 2017. Cotton, rope, crab, glass, acrylic, oil, wax, faux leaves and collage on canvas, 97.5 x 164 cm.

Josey Kidd-Crowe, 'Untitled', 2015. Oil on canvas, 87 x 62 cm.

Josey Kidd-Crowe, 'In The Pineys', 2015. Oil on canvas, 110.5 x 85.5 cm.

Josey Kidd-Crowe, 'Doldrums', 2019. Oil and acrylic on denim, cotton, polyester and canvas, 134 x 155 cm.

Josey Kidd-Crowe, 'European divorce', 2019. Oil and acrylic on linen, cotton, canvas and flocking velvet, 129 x 159 cm.

Josey Kidd-Crowe, 'Still Drinking Up History', 2015. Oil on canvas, 87 x 76 cm.

Josey Kidd-Crowe, 'I try to get in contact', 2015. Oil on canvas, 118 x 96 cm.

Josey Kidd-Crowe, 'Untitled', 2015. Oil on canvas, 98 x 82.5 cm.

Josey Kidd-Crowe, 'Tabula Rasa', 2014. Oil on canvas, 86.5 x 71 cm

Installation view, Josey Kidd-Crowe, '...the thought an oyster has...', Gertrude Glasshouse, Melbourne, 2017.

Installation view, Josey Kidd-Crowe, Dragnet Gambit, 2018, Neon Parc City.

Installation view, Josey Kidd-Crowe, 'Debt Forgiveness', West Space Offsite, Melbourne, 2020.

Installation view, Josey Kidd-Crowe, 'Stupor Hiatus', Neon Parc City, 2015.

Installation view, Josey Kidd-Crowe, '...the thought an oyster has...', Gertrude Glasshouse, Melbourne, 2017.

Josey Kidd-Crowe, 'Art supplies and yoga mats', 2017. Oil, acrylic, rocks, brick, cotton and shell on canvas, 122 x 153 cm.

Josey Kidd-Crowe, 'General Hotel Ambitions', 2014. Oil on canvas, 98 x 88 cm.