Neon Parc acknowledges the Wurundjeri Woi Wurrung and Bunurong Boon Wurrung as the Traditional Owners and sovereign custodians of the Country on which we operate. We pay our deepest respects to their Elders past and present. Always was, always will be Aboriginal land.
‘Correction Flute(s)’, Neon Parc, Melbourne Thanks Criticism!, Kansas Gallery, New York, USA
2013
‘Lapsink’, Neon Parc, Melbourne Art Contemporary Los Angeles Art Fair, Neon Parc, Los Angeles, USA
2012
Concept Fatigue, DB, Sydney,
2011
Gravity Stole My Eyelid, Neon Parc, Melbourne
2010
NADA Art Fair, Neon Parc, Miami, USA Keep Art Evil, Monash University, Melbourne Bung Eye, Studio 12, Gertrude Contemporary, Melbourne
2009
‘Pissing In The Infinity Pool’, Ocular Lab, Melbourne
2008
‘Afterparty’, Westspace, Melbourne Out To Pasture, Gertrude Slide, Gertrude Contemporary, Melbourne
2007
‘Step Into The Light’, TCB, Melbourne Group Exhibitions
Selected Group Exhibitions
2017
‘Verus Rodin: Bodies Across Space And Time’, Art Gallery of South Australia, Adelaide
2016
‘Vitreous Humour’, Kansas Gallery, New York, USA 10 Years Of Neon Parc!, Neon Parc, Melbourne
2015
‘An Imprecise Science’, ArtSpace, Sydney Basil Sellers Art Prize - touring, Samstag Museum, University of South Australia, Adelaide
2014
‘Sequester’, Australian Embassy, Washington DC Basil Sellers Art Prize, Ian Potter Museum, Melbourne University, Melbourne
2013
‘Reinventing The Wheel: The Readymade Century’, Monash University Museum of Art, Melbourne
2012
‘Parallel Collisions’, 2012 Biennial of Australian Contemporary Art, Art Gallery Of South Australia, Adelaide Figure and Ground, Utopian Slumps, Melbourne The Drawing Room, Breenspace, Sydney
‘Flowers In The Attic’, TCB, Melbourne Autumn Masterpieces, Center for Contemporary Photography, Melbourne Canadian Pharmacy, Neon Parc, Melbourne
2009
‘Gertrude Studios 2009’, Gertrude Contemporary, Melbourne OMFG!, C3, Melbourne Don’t Trust The Artist, Ivan Dougherty Gallery, University of NSW, Sydney
2008
‘Life, Death, Thereafter’, Silvershot, Melbourne Young Old Hot, TCB, Melbourne
2007
‘Good Mood’, Sophie Gannon, Melbourne
2006
‘Flaming Youth’, Orange Regional Gallery, NSW Hello Lovers (Thanks Fans), Bus Gallery, Melbourne Poor Yorick, Virginia Wilson Art, Sydney
2005
‘To Think We Almost Made It (The Anti-Heroic Gestures of True Romantics)’, Firstdraft, Sydney Salon de Freehands, Seventh Gallery, Melbourne
(close)Rob McLeish, *Bound Composition (BEACHCOMBER)*, 2022, epoxy resin, stainless steel, 91 x 12 x 11 cm.Rob Mcleish, *Distortion 33*, 2020, pencil on paper, 66 x 49 cm.Rob Mcleish, *Distortion 10*, 2020, pencil on paper, 66 x 49 cm.Rob Mcleish, *Distortion 43*, 2020, pencil on paper, 66 x 49 cm.Rob Mcleish, *Distortion 7*, 2020, pencil on paper, 66 x 49 cm.Rob McLeish, Automatic Faggot For The People, 2010, Stainless steel, 16 x 120 x 25 cmRob McLeish, Hanging Arrangement, 2017, Epoxy resin, 155 x 85 x 16 cmRob McLeish, Lock Up Your Concepts, 2011, Stainless steel, 186 x 94 x 5 cm.Rob Mcleish, *Distortion 53*, 2020, pencil on paper, 66 x 49 cm.Rob McLeish, Sinkhole Holiday (Suspended Model In Black, 001), 2018, Epoxy resin, steel, 175 x 35 x 37 cmRob McLeish, Water Statue (1), 2018, Archival digital UV inkjet print on paper, 43 x 35.5 cmRob McLeish, Water Statue (5), 2018, Archival digital UV inkjet print on paper, 43 x 35.5 cmRob McLeish, Riverbed, 2018, Stainless steel, 195 x 185 x 54 cm