Neon Parc acknowledges the Wurundjeri Woi Wurrung and Bunurong Boon Wurrung as the Traditional Owners and sovereign custodians of the Country on which we operate. We pay our deepest respects to their Elders past and present. Always was, always will be Aboriginal land.
‘Thanks Criticism!’, Kansas Gallery, New York, USA
2013
‘Lapsink’, Neon Parc, Melbourne
‘Art Contemporary Los Angeles Art Fair’, Neon Parc, Los Angeles, USA
2012
‘Concept Fatigue’, DB, Sydney,
2011
‘Gravity Stole My Eyelid’, Neon Parc, Melbourne
2010
‘NADA Art Fair’, Neon Parc, Miami, USA
‘Keep Art Evil’, Monash University, Melbourne
‘Bung Eye’, Studio 12, Gertrude Contemporary, Melbourne
2009
‘Pissing In The Infinity Pool’, Ocular Lab, Melbourne
2008
‘Afterparty’, Westspace, Melbourne
‘Out To Pasture’, Gertrude Slide, Gertrude Contemporary, Melbourne
2007
‘Step Into The Light’, TCB, Melbourne Group Exhibitions
Selected Group Exhibitions
2024
‘Melbourne Sculpture Biennale’, Villa Alba Museum, Melbourne, Australia
2023
‘Frozen Blood’, Neon Parc, Melbourne, Australia
‘Air Like Wine’, Neon Parc, Melbourne, Australia
2018
‘From Will To Form’, TarraWarra Biennial, TarraWarra Museum, Melbourne, Australia.
2017
‘Verus Rodin: Bodies Across Space And Time’, Art Gallery of South Australia, Adelaide
2016
‘Vitreous Humour’, Kansas Gallery, New York, USA 10 Years Of Neon Parc!, Neon Parc, Melbourne
2015
‘An Imprecise Science’, ArtSpace, Sydney Basil Sellers Art Prize - touring, Samstag Museum, University of South Australia, Adelaide
2014
‘Sequester’, Australian Embassy, Washington DC Basil Sellers Art Prize, Ian Potter Museum, Melbourne University, Melbourne
2013
‘Reinventing The Wheel: The Readymade Century’, Monash University Museum of Art, Melbourne
2012
‘Parallel Collisions’, 2012 Biennial of Australian Contemporary Art, Art Gallery Of South Australia, Adelaide Figure and Ground, Utopian Slumps, Melbourne The Drawing Room, Breenspace, Sydney
‘Flowers In The Attic’, TCB, Melbourne Autumn Masterpieces, Center for Contemporary Photography, Melbourne Canadian Pharmacy, Neon Parc, Melbourne
2009
‘Gertrude Studios 2009’, Gertrude Contemporary, Melbourne OMFG!, C3, Melbourne Don’t Trust The Artist, Ivan Dougherty Gallery, University of NSW, Sydney
2008
‘Life, Death, Thereafter’, Silvershot, Melbourne Young Old Hot, TCB, Melbourne
2007
‘Good Mood’, Sophie Gannon, Melbourne
2006
‘Flaming Youth’, Orange Regional Gallery, NSW Hello Lovers (Thanks Fans), Bus Gallery, Melbourne Poor Yorick, Virginia Wilson Art, Sydney
2005
‘To Think We Almost Made It (The Anti-Heroic Gestures of True Romantics)’, Firstdraft, Sydney Salon de Freehands, Seventh Gallery, Melbourne
(close)Rob McLeish, ‘Blood Visions 5’, 2022. Pencil on paper, 42 x 59.4 cm (drawing size).Rob McLeish, ‘Blood Visions 6’, 2022. Pencil on paper, 42 x 59.4 cm (drawing size).Rob Mcleish, *Distortion 10*, 2020, pencil on paper, 66 x 49 cm.Rob Mcleish, *Distortion 7*, 2020, pencil on paper, 66 x 49 cm.Rob McLeish, ‘Distortion 25’, 2021. Pencil on paper, 42 x 59.4 cm (drawing size).Rob McLeish, ‘Pool Bride (39)’, 2023. Pencil and collage on paper, 29.7 x 42 cm.Rob McLeish, ‘Pool Bride (52)’, 2023. Pencil and collage on paper, 29.7 x 42 cm.Rob McLeish, ‘Pool Bride (46)’, 2023. Pencil and collage on paper, 29.7 x 42 cm.Rob McLeish, Water Statue (1), 2018, Archival digital UV inkjet print on paper, 43 x 35.5 cmRob McLeish, Water Statue (5), 2018, Archival digital UV inkjet print on paper, 43 x 35.5 cmRob McLeish, Riverbed, 2018, Stainless steel, 195 x 185 x 54 cmRob McLeish, Sinkhole Holiday (Suspended Model In Black, 001), 2018, Epoxy resin, steel, 175 x 35 x 37 cmRob McLeish, ‘Afterparty’, 2008. Steel, MDF, enamel, epoxy resin, 350 x 60 x 10 cm. Image credit: Christian Capurro.Rob McLeish, ‘HEADLESS SLIPPING’, 2021. Epoxy resin, stainless steel, 166 x 110 x 26 cm. Image credit: Christian Capurro.Rob McLeish, ‘Hanging Arrangement’, 2017. Epoxy resin, 155 x 85 x 16 cm. Image credit: Christian Capurro.Rob McLeish, ‘Lock Up Your Concepts’, 2011. Stainless steel, 186 x 94 x 5 cm. Image credit: Christian Capurro.
