Neon Parc acknowledges the Wurundjeri Woi Wurrung and Bunurong Boon Wurrung as the Traditional Owners and sovereign custodians of the Country on which we operate. We pay our deepest respects to their Elders past and present. Always was, always will be Aboriginal land.
Janet Burchill
Cosey Fanni Tutti
Lynda Benglis
Jeff Koons Studio
Sarah Lucas
Noel Skrzypczak
Scott Redford
Tyza Stewart
Burchill/McCamley ‘Benglis 73 / 74’
City
10 Sep.–10 Oct.2014
In association with
Sutton Project space (Sept 11 - Oct 11)
and TCB Arts Inc (Oct 1 - 18)
Curated by Geoff Newton
Sarah Lucas, 'Bucket of Tea', A1993-2013. Four cut colour photographs on red Perspex, chrome tubing, wire, dimensions variable. Courtesy Sadie Coles HQ, London.
Janet Burchill, ‘Bed Body Block (After Fuseli)’, 1991. Acrylic and s.p. ink on passepartout, 77 x 97 cm.
Burchill / McCamley, ‘Little Pictures for the Pissed Off’, 1993. Type on passepartout, 37 x 29 cm.
Burchill / McCamley, ‘Little Pictures for the Pissed Off’, 1993. Type on passepartout, 37 x 29 cm.
Janet Burchill, ‘The temptation to exist etc.’, 1990. Colour screenprint on zinc coated steel, 70 x 100 cm , 9 parts.
Janet Burchill, ‘The temptation to exist etc.’, 1990. Colour screenprint on zinc coated steel, 70 x 100 cm.
Cosey Fanni Tutti, ‘Piccadilly International Vol. 10, No.10’, 1976. Magazine print, 4 parts, each 164 x 120 cm. Courtesy the artist and Cabinet Gallery, London.
Cosey Fanni Tutti, ‘Piccadilly International Vol. 10, No.10’, 1976. Magazine print, 4 parts, each 164 x 120 cm. Courtesy the artist and Cabinet Gallery, London.
Cosey Fanni Tutti, ‘Piccadilly International Vol. 10, No.10’, 1976. Magazine print, 4 parts, each 164 x 120 cm. Courtesy the artist and Cabinet Gallery, London.
Cosey Fanni Tutti, ‘Piccadilly International Vol. 10, No.10’, 1976. Magazine print, 4 parts, each 164 x 120 cm. Courtesy the artist and Cabinet Gallery, London.
Lynda Benglis, ‘Female Sensibility’, 1973. 14 min, colour, sound. Courtesy of Video Data Bank, Chicago.
General Idea , ‘Test Tube’, 1984. 28:15 min, colour, sound. Courtesy Electronic Arts Intermix, New York.
Jeff Koons Studio, ‘La Cicciolina’, 1991. Photographed by Annie Leibovitz, with 8 studio Xeroxes, 21 x 14.8 cm.
Jeff Koons Studio, La Cicciolina, 1991, Photographed by Annie Leibovitz, 21 x 14.8 cm
Noël Skrzypczak, ‘Deep Fall’, 2014. Synthetic polymer paint on canvas, 188cm x 146cm.
Noël Skrzypczak, ‘Heart of Glass’, 2013. Glass, soap, silicon and wax, 120 x 60 x 17 cm.
