Neon Parc acknowledges the Wurundjeri Woi Wurrung and Bunurong Boon Wurrung as the Traditional Owners and sovereign custodians of the Country on which we operate. We pay our deepest respects to their Elders past and present. Always was, always will be Aboriginal land.
‘You’re Unreal’, Studio 12, 200 Gertrude Street, Melbourne
1999
‘A Place in the Sun, 1st Floor artists and writers space, Melbourne
1998
Real Life is Everywhere, Grey Area Art Space Inc., Melbourne
Selected Group Exhibitions
2020
‘Uptown’, various public sites, City of Melbourne curated by Robert Buckingham and Sarah Ritson
2019
‘Freighting Ideas’, Art Gallery of Western Australia touring exhibition, Katanning Art Gallery and various venues curated by Robert Cook.
2017
‘Every Brilliant Eye’: Australian Art in the 1990s, curated by Pip Wallis and Jane Devery, National Gallery of Victoria, Melbourne
‘Red Green Blue: A History of Australian Video Art’, curated by Matthew Perkins, Griffith University Art Museum, Brisbane
‘I Love Pat Larter’, curated by Geoff Newton, Neon Parc, Melbourne
‘Misshaped Head’, curated by Geoff Newton, Neon Parc, Melbourne
2016
‘Dancing Umbrellas: An exhibition of movement and light’, curated by Sue Cramer, Heide Museum of Modern Art, Melbourne
2015
‘Lurid Beauty: Australian Surrealism and its echoes’, National Gallery of Victoria, Melbourne
‘Activate, animate, complicate, grow, curated by Vincent Alessi, Ian Potter Museum of Art, University of Melbourne
2014
‘20/200’, Sarah Cottier Gallery, Sydney
‘Melbourne Now – Drawing Now’, curated by John Nixon, National Gallery of Victoria, Melbourne
‘Dear Masato – All at once’, curated by Lisa Radford, Margaret Lawrence Gallery, Victorian College of the Arts, Melbourne
2013
‘Re-inventing the wheel’, Monash University Museum of Art, Melbourne
‘Heat in the eyes: a selection of recent acquisitions’, Ian Potter Museum, University of Melbourne
‘Arthur Guy Memorial Painting Prize’, Bendigo Art Gallery, Victoria
2012
‘Falling Down’, Utopian Slumps Gallery, Melbourne
‘Self-Conscious: Contemporary Portraiture’, Monash University Museum of Art, Melbourne
2011
‘Short Sharp Shocks: artist films’, curated by Katrina Schwartz, The Australian Festival, The Barbican Centre, London
‘Black Elastic, two umbrellas, a mint leaf and wheels’, Monash University Museum of Art, Melbourne
‘Self-Conscious: Contemporary Portraiture’, Switchback Gallery, Federation University of Australia, Adelaide and Gippsland Centre for Art and Design, Victoria
‘Model Pictures’, curated by Bala Starr, Ian Potter Museum of Art, University of Melbourne
2010
‘Everything is near and in fluorescent, forever and present’, Michael Lett Gallery, Auckland, New Zealand
‘Change’, Monash University Museum of Art, Melbourne
‘Photocopier’, curated by Jess Lucas, Kristina Tsoulis and Rob McHaffie, CCP Centre for
Contemporary Photography, Melbourne
‘Texticles Part 2’, curated by Rob McHaffie and Lisa Radford, Melbourne Art Fair
(close)James Lynch, Falling Down, 2001, Pencil on paper, 35 x 48 cmJames Lynch, Falling Down, 2001, Pencil on paper, 35 x 48 cmJames Lynch,
Rob's Picture,
2010,
Oil on canvas,
91.5 x 110 cmJames Lynch,
The Drunken Soldier and Other Melodies,
2007,
Installation view,
Tokyo Wonder SiteJames Lynch,
Eclipse,
2007,
Oil on canvas,
50 x 60 cmJames Lynch,
Riot at Imax,
2009,
Oil on canvas,
76.5 x 91.5cmJames Lynch,
Tom and Blooody Kennett,
2009,
Oil on canvas,
91.5 x 76.5 cmJames Lynch,
Nadine's Picture,
2010,
Oil on canvas,
71 x 55 cmJames Lynch,
Quakers,
2009,
Oil on canvas,
76 x 91.5 cm