Burchill / McCamley CV
Live and work in Melbourne, Australia.
Close
Janet Burchill, Collected Works of Emily Dickinson (884), 2015
Synthetic polymer paint on hessian, glass, 5 panels, 64 x 92 cm each, 92 x 320 cm
Burchill/McCamley, The Definition of Now (4 degrees), 2016, Fabric tape, galvanised steel, copi rock, aluminium can, spirit level, Dimensions variable
Burchill/McCamley, Falling Water (2), 2015, Cement, dye print on fabric, car seat, 143 x 94 x 55 cm
Burchill/McCamley, Screen Drawing, 2016, Watercolour, film poster, enamel, 102 x 87 cm
Burchill/McCamley, Reflectors and Absorbers, 2016, Perforated aluminium, stainless steel, mirrored Perspex, rubber, 190 x 260 x 120 cm
Burchill/McCamley, Bricks and Buttercups, 2016, Neon, bricks, acrylic paint, vinyl, rope, 450 x 400 cm (approx)
Janet Burchill, Collected Works of Emily Dickinson (263), 2015, synthetic polymer paint on hessian, 8 panels, overall 184 x 283 cm
Janet Burchill, Collected Works of Emily Dickinson (515 circumference), 2015, Synthetic polymer paint on hessian, 6 panels, overall 276 x 124 cm
Burchill/McCamley, Gertrude Stein (from the Charlotte Moorman drawing series), 1994/95, Pencil and carbon on parchment paper, 70 x 50 cm
Burchill/McCamley, Figure A, 2016, Synthetic polymer paint on leatherette car seat, taxidermised pigeon, enamel on steel, 170 x 45 x 45 cm
Burchill/McCamley, Point Blank, 2016, neon, 122 x 180 cm
Burchill/McCamley, Hate, Kill, Falsity (Sturtevant, The Brutal Truth), 2012, Hessian and acrylic on moulded plywood, 135 x 86 cm
Burchill / McCamley,
Untitled,
Collage on photocopied graph paper,
(From the drawing series Social Economy, 2007),
42 x 73 cm