Neon Parc | Burchill / McCamley

Janet Burchill, born 1955 Naarm/Melbourne, Australia.
Jennifer McCamley, born 1957, Meeanjin/Brisbane, Australia.
Live and work in Naarm/Melbourne, Australia.

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Selected works (24)

Exhibitions (5)

‘21 22’
Brunswick
11 Mar.–23 Apr.
2022

‘Janet Burchill & Jennifer McCamley / Erica McGilchrist’
Brunswick
17 May.–22 Jun.
2019

‘Burchill / McCamley’
Brunswick
10 Feb.–1 Apr.
2016

‘Autorecliner’
City
10 Nov.–11 Dec.
2015

‘Shields’
City
9 Oct.–8 Nov.
2013

Curriculum vitae (PDF)

Recent Solo Exhibitions

2022: Burchill / McCamley, 21 22, Neon Parc Brunswick, Melbourne; Guzzler Spirit, GUZZLER, Melbourne
2017: Burchill / McCamley, TCB Art Inc, Melbourne; Art Berlin Contemporary (with Neon Parc) Berlin, Germany
2016: Burchill/ McCamley, Neon Parc, Melbourne; ‘Women in Power’ University Art Gallery, University of Sydney, Sydney
2015: ‘Autorecliner’, Neon Parc, Melbourne
2014: 48th Art Cologne (with Neon Parc) Cologne, Germany
2013: ‘Shields’, Neon Parc, Melbourne; ‘SCUM Tapes 68-96’ Rodeo, Istanbul, Turkey; ‘Aesthetic Suicide’ World Food Books, Melbourne

Selected Group Exhibitions

2017: ‘Versus Rodin’ Art Gallery of South Australia; ‘Unfinished Business: Perspectives on art and feminism’ ACCA, Melbourne; ‘Freshwater’ Shepparton Art Museum, Shepparton, Vic; ‘I Love Pat Larter’ Neon Parc, Melbourne
2016: ‘Tarrawarra Biennial: Endless Circulation’ Tarrawarra Museum of Art, Healesville, Vic; ‘Painting, More Painting’ ACCA, Melbourne
2015: ‘Duplex Cling Mob‘ Michael Lett, Auckland, New Zealand; ‘10th Mildura Palimpsest Biennale’ Mildura, Vic; ‘Concrete’ Tophane-I Amire Culture & Arts Center, Mimar Sinan Fine Art University,
Istanbul, Turkey; ‘Imaginary Accord’ The Institute of Modern Art, Brisbane; ‘Written in Light’ Geelong Gallery, Geelong, Vic; ‘Sealed Section’ Artbank Gallery, Sydney
2014: ‘Habitat’ (with World Food Books) Minerva, Sydney; ‘Don’t Hide The Hate’ Slopes, Melbourne; ‘Formal: Informal’ ADFA Project Space, Mildura, Vic; ‘Spring 1883’ David Pestorius, Hotel Windsor, Melbourne
2013: ‘Future Primitive’ Heide Museum of Modern Art, Melbourne; ‘Melbourne Now’ National Gallery of Victoria, Melbourne; ‘Like Mike’ Neon Parc, Melbourne; ‘Decline’ Top Shelf Gallery, Melbourne; ‘Ten Years – Shanthi Road Studio Gallery’ Bangalore, India; ‘Light from Light: Reprise’ MAAP Space, Brisbane

Collections

Art Gallery of South Australia, Adelaide
Art Gallery of Western Australia, Perth
Art Gallery of New South Wales, Sydney
Bendigo Art Gallery, Victoria
BP, Melbourne
Griffith University, Queensland
Heide Museum of Modern Art, Melbourne
I.C.I., Sydney
Monash University Museum of Art, Melbourne
Power Museum of Art, Sydney University, Sydney
Museum of Contemporary Art, Sydney
National Gallery of Australia, Canberra
National Gallery of Victoria, Melbourne
Queensland Art Gallery/Gallery of Modern Art, Brisbane
The Tasmanian Museum and Art Gallery
Artbank, Melbourne

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Janet Burchill & Jennifer McCamley, 'Factory Work (Simone Weil Project)', 2021–22. Silkscreen, synthetic polymer paint on paper, 86.5 x 74.5 cm. Edition of 8 + 3 AP.

Burchill/McCamley, Hate, Kill, Falsity (Sturtevant, The Brutal Truth), 2012, Hessian and acrylic on moulded plywood, 135 x 86 cm

Janet Burchill & Jennifer McCamley, 'The Definition of Now, (Definition of Now)', 2021. Silkscreen on paper, 70 x 100 cm. Edition of 10 + 2AP.

Janet Burchill, Collected Works of Emily Dickinson (263), 2015, synthetic polymer paint on hessian, 8 panels, overall 184 x 283 cm

Burchill/McCamley, Figure A, 2016, Synthetic polymer paint on leatherette car seat, taxidermised pigeon, enamel on steel, 170 x 45 x 45 cm

Burchill/McCamley, Falling Water (2), 2015, Cement, dye print on fabric, car seat, 143 x 94 x 55 cm

Burchill/McCamley, Gertrude Stein (from the Charlotte Moorman drawing series), 1994/95, Pencil and carbon on parchment paper, 70 x 50 cm

Janet Burchill, Collected Works of Emily Dickinson (515 circumference), 2015, Synthetic polymer paint on hessian, 6 panels, overall 276 x 124 cm

Burchill/McCamley, Screen Drawing, 2016, Watercolour, film poster, enamel, 102 x 87 cm

Burchill/McCamley, Reflectors and Absorbers, 2016, Perforated aluminium, stainless steel, mirrored Perspex, rubber, 190 x 260 x 120 cm

Burchill/McCamley, Point Blank, 2016, neon, 122 x 180 cm

Burchill/McCamley, The Definition of Now (4 degrees), 2016, Fabric tape, galvanised steel, copi rock, aluminium can, spirit level, Dimensions variable

Janet Burchill, Collected Works of Emily Dickinson (884), 2015 Synthetic polymer paint on hessian, glass, 5 panels, 64 x 92 cm each, 92 x 320 cm

Burchill / McCamley, Untitled, Collage on photocopied graph paper, (From the drawing series Social Economy, 2007), 42 x 73 cm