Dave Hullfish Bailey,
Disturbance Instants (underbrush/ramping up),
2016,
Two framed archival pigment prints,
63 x 93 cm, 31 x 41 cm
Dave Hullfish Bailey,
Disturbance Instants (Maiwar 2012/war ponies 2016)
2016,
Two framed archival pigment prints, 63 x 93 cm, 31 x 41 cm
Dave Hullfish Bailey,
Crepuscular Imperative,
2016,
Three framed archival pigment prints,
22 x 31 cm each
Installation view
Installation view
Installation view
Installation view
Installation view
Dave Hullfish Bailey,
Welcomes to Country (Aboriginal Embassy 1972/Maiwar 2009),
2016,
Two framed archival pigment prints,
22 x 31 cm, 25 x 25 cm
Dave Hullfish Bailey,
Oahe (northern reach/October 15, 2016),
2016,
Six framed archival pigment prints,
31 x 246 cm total
Dave Hullfish Bailey and Sam Watson,
Maiwar Performance,
Single channel video, colour, sound, 9 minutes 9 seconds, looping display on a monitor,
Cameras: Peter Bonde, Dave Hullfish Bailey, Carl Warner,
Production editor: Carl Warner
Dave Hullfish Bailey,
Welcomes to Country (Aboriginal Embassy 1972/Oceti Sakowin 2016),
2016,
Two framed archival pigment prints,
31 x 41 cm, 25 x 25 cm
Dave Hullfish Bailey,
Sounds and waves (Aboriginal Embassy 1972/Maiwar 2009),
2016,
Two framed archival pigment prints,
22 x 31 cm, 25 x 25 cm
Dave Hullfish Bailey,
Standing Up (to/for generations),
2016,
Two framed archival pigment prints,
31 x 41 cm, 25 x 25 cm
Dave Hullfish Bailey,
Proto Flag (morning star prayer),
2016,
Ripstop nylon, three parts,
Installation dimensions variable
Dave Hullfish Bailey,
Disturbance Instants (between floods/between fires)
2016,
Two framed archival pigment prints, 63 x 93 cm, 31 x 41 cm