Neon Parc acknowledges the Wurundjeri Woi Wurrung and Bunurong Boon Wurrung as the Traditional Owners and sovereign custodians of the Country on which we operate. We pay our deepest respects to their Elders past and present. Always was, always will be Aboriginal land.
Ben Armstrong, Hans Bellmer, Damiano Bertoli, Matilda Davis, Mikala Dwyer, Lewis Fidock, Dale Frank, Peter Graham, Irene Hanenbergh, Matthew Harris, Mike Kelley, Maria Kozic, Janet Burchill & Jennifer McCamley, Nell, Laurie Steer, Darren Sylvester, Dorothea Tanning, Jelena Telecki, Yvonne Todd ‘'Spring1883', Sydney, The Establishment’
The Establishment, Sydney
11 Sep.–14 Sep.2019
Maria Kozic, Abby, 2017, Synthetic polymer paint on cardboard, 20 x 29 cm
Peter Graham, Illuminated Hat, 2010, Pigmented polyurethane, 18 x 16 x 14 cm
Peter Graham, Noble Pile, 2010, Pigmented polyurethane,
22 x 16 x 9 cm
Peter Graham, Resurrection, 2010, Pigmented polyurethane and resin, 10 x 12 x 4 cm
Peter Graham, Poor Man’s Fortune, 2010, Pigmented polyurethane, 12 x 7 x 6 cm
Peter Graham, Flight of Fancy, 2010, Pigmented polyurethane, 18 x 12 x 9 cm
Peter Graham, A Fish That Walks, 2010, Pigmented polyurethane, 6 x 14 x 6 cm
Peter Graham, Victory over Evolution, 2010, Pigmented polyurethane, 12 x 8 x 8 cm
Peter Graham, Narration, 2010, Pigmented polyurethane, 12 x 5 x 5 cm
Peter Graham, Antennae, 2010, Pigmented polyurethane,
28 x 32 x 8 cm
Janet Burchill & Jennifer McCamley, Throw Field, 2019,
Bronze, 15 x 170 x 76 cm
Dale Frank, Gardens of Enchantment, 2019, Varnish, epoxyglass, on perspex, 200 x 200 cm
Dale Frank, Sardine breath, 2019, Varnish, epoxyglass, on perspex, 150 x 100 cm
Dale Frank, Oyster breath, 2019, Varnish, epoxyglass, on perspex, 150 x 100 cm
Hans Bellmer, The Hand Hat, 1947, Colour etching, 23 x 30 cm
Benjamin Armstrong, Web in Front, 2011, Ink on paper, Paper size 122 x 103 cm, Frame Size 139 x 120 cm
Irene Hanenbergh, The Arosa situation, 2018, Oil on canvas,
40.5 x 30.5 cm
Irene Hanenbergh, Autumn Soirée 1883, 2018, Oil on canvas, 30.5 x 40.5 cm
Mike Kelley, Unlucky Clover (from series “Pansy Metal/Clovered Hoof”), 1989, Screenprint on silk,
135 x 96.5 cm, Ed 17 /40
Mike Kelley, The Orange and Green (from series “Pansy Metal/Clovered Hoof”), 1989, Screenprint on silk, 135 x 96.5 cm, Ed. 17 /40
Mike Kelley, Blood and Soil (Potato print)
(from the series “Pansy Metal / Clovered Hoof”), 1989,
Silkscreen on silk, 53 x 38 in. (134.62 x 96.52 cm), Ed 17/40
Yvonne Todd, Klerma, 2008, C-type print from 4x5” transparency film, 54 x 41 cm, 1/3, 2 AP
Maria Kozic, Abby, 2017, Synthetic polymer paint on cardboard, 20 x 29 cm
Maria Kozic, The Blood Queen, 2018, Synthetic polymer paint on cardboard, 14.5 x 21.5 cm
Maria Kozic, Frankenstein Conquers The World, 2017, Synthetic polymer paint on cardboard, 21.5 x 22 cm
Maria Kozic, Melting Man, 2018, Synthetic polymer paint on cardboard, 20 x 27.5 cm
Maria Kozic, Saucerman, 2017, Synthetic polymer paint on cardboard, 24 x 32.5 cm
Maria Kozic, The Monster, 2017, Synthetic polymer paint on cardboard, 19.5 x 27.5 cm
Laurie Steer, Torn the Rainbows, 2019, Wood-fired Wild Clay, Iron and Ash Glaze, 58 x 18 x 18 cm
Laurie Steer, Orchard Keeper, 2019, Wood-fired Wild Clay, Iron and Ash Glaze, 50 x 14 x 14 cm
Damiano Bertoli, Linda Twice, 2018, Lustre print on Dibond
70 x 50 cm, Ed 1/3, 2 AP
Laurie Steer, Bat Painting 1, 2019, Wood-fired Wild Clay, Iron and Ash Glaze, 26.5 x 20.5 x 5 cm
Laurie Steer, Bat Painting 2, 2019, Wood-fired Wild Clay, Iron and Ash Glaze, 24 x 18 x 5 cm
Laurie Steer, Bat Painting 3, 2019, Wood-fired Wild Clay, Iron and Ash Glaze, 31 x 21 x 6.5 cm
Laurie Steer, Bat Painting 4, 2019, Wood-fired Wild Clay, Iron and Ash Glaze, 26 x 28 x 10 cm
Matilda Davis, Four rooms for fours own, 2019, Oil on canvas, synthetic trim, 50 x 40 cm
Matilda Davis, Looking out or looking in i am sitting in the doorway of the universe, 2019, Oil on canvas, synthetic trim,
50 x 40 cm
Matilda Davis, We can watch the change you cannot participate you missed your chance, 2019, Oil on canvas, synthetic & cotton trim, 50 x 40 cm
Matilda Davis, To be one with nature would be to be one with chaos but we could never hack it, 2019, Oil on canvas, synthetic & cotton trim, 50 x 40 cm
Matilda Davis, Look through the peep hole and accept the perversions of magic for yourself, 2019, Oil on canvas, synthetic trim, 50 x 40 cm
Matthew Harris, Clusterfuck, 2019, Acrylic on linen, 91 x 61 cm
Matthew Harris, Judith with the head of Holofernes (1), 2019,
Acrylic on linen, 91 x 61 cm
Matthew Harris, Rich Pig, 2019, Acrylic on linen, 91 x 61 cm
Nell, Who’s who, 2019, Acrylic and Japanese pigment on canvas, 76.5 x 36 cm
Darren Sylvester, Fortune Teller, 2019, Lightjet print, 160 x 120 cm, Ed. 1/6 + 2 AP
Darren Sylvester, Horizon, 2019, Lightjet print, 160 x 120 cm,
Ed. 2/3 + 2 AP
Dorothea Tanning, Birthday 1942, 1968, Colour lithograph
74 x 53.50 cm, Ed 113/150
Jelena Telecki, Cigarette duo, 2019, Oil on canvas, 97 x 82 cm
Jelena Telecki, Tall grass, 2019, Oil on canvas, 97 x 82 cm
