Neon Parc acknowledges the Wurundjeri Woi Wurrung and Bunurong Boon Wurrung as the Traditional Owners and sovereign custodians of the Country on which we operate. We pay our deepest respects to their Elders past and present. Always was, always will be Aboriginal land.
Neon Parc is thrilled to announce participation in ๐๐บ๐ฅ๐ฏ๐ฆ๐บ ๐๐ฐ๐ฏ๐ต๐ฆ๐ฎ๐ฑ๐ฐ๐ณ๐ข๐ณ๐บ 2022, open to the public from 8thโ11th September at Carriageworks, NSW.
Janet Burchill & Jennifer McCamley, ‘Force (Simone Weil Project)’, 2021โ22. Silkscreen, synthetic polymer paint on canvas, 152 x 122 cm.
Janet Burchill & Jennifer McCamley, ‘Thing (Simone Weil Project)’, 2021โ22. Silkscreen, synthetic polymer paint on canvas, 152 x 122 cm.
Janet Burchill & Jennifer McCamley, ‘Attention (Simone Weil Project)’, 2021โ22. Silkscreen, synthetic polymer paint on canvas, 152 x 122 cm.
Janet Burchill & Jennifer McCamley, ‘Prestige (Simone Weil Project)’, 2021โ22. Silkscreen, synthetic polymer paint on canvas, 152 x 122 cm.
Rob McLeish, ‘Bound Composition (BEACHCOMBER)’, 2022. Epoxy resin, stainless steel, 94 x 9 x 14 cm.
Rob McLeish, ‘Blood Visions 1’, 2022. Pencil on paper (Lana, Dessin 220, FRANCE), Framed in Vic Ash with non-reflective UltraVue UV70 glass, 42 x 59.4cm (drawing size).
Rob McLeish, ‘Blood Visions 2’, 2022. Pencil on paper (Lana, Dessin 220, FRANCE), framed in Vic Ash with non-reflective UltraVue UV70 glass, 59.4 x 42 cm (drawing size).
Rob McLeish, ‘Blood Visions 3’, 2022. Pencil on paper (Lana, Dessin 220, FRANCE), Framed in Vic Ash with non-reflective UltraVue UV70 glass, 42 x 59.4cm (drawing size).
Rob McLeish, ‘Blood Visions 5’, 2022. Pencil on paper (Lana, Dessin 220, FRANCE), Framed in Vic Ash with non-reflective UltraVue UV70 glass, 42 x 59.4cm (drawing size).
Rob McLeish, ‘Blood Visions 6’, 2022. Pencil on paper (Lana, Dessin 220, FRANCE), Framed in Vic Ash with non-reflective UltraVue UV70 glass, 42 x 59.4cm (drawing size).
Rob McLeish, ‘Blood Visions 7’, 2022. Pencil on paper (Lana, Dessin 220, FRANCE), Framed in Vic Ash with non-reflective UltraVue UV70 glass, 42 x 59.4cm (drawing size).
Rob McLeish, ‘Blood Visions 8’, 2022. Pencil on paper (Lana, Dessin 220, FRANCE), Framed in Vic Ash with non-reflective UltraVue UV70 glass, 42 x 59.4cm (drawing size)
Rob McLeish, ‘Blood Visions 9’, 2022. Pencil on paper (Lana, Dessin 220, FRANCE), Framed in Vic Ash with non-reflective UltraVue UV70 glass, 42 x 59.4cm (drawing size).
Rob McLeish, ‘Blood Visions 10’, 2022. Pencil on paper (Lana, Dessin 220, FRANCE), Framed in Vic Ash with non-reflective UltraVue UV70 glass, 42 x 59.4cm (drawing size).
Teelah George, ‘A Manuscript’, 2022. Thread, linen, bronze, 191 x 135 cm (irregular).
Teelah George, ‘A Pearl Necklace’, 2022. Thread, linen, bronze, 189 x 133 cm (irregular).
Teelah George, ‘A Pearl Necklace’ (detail), 2022. Thread, linen, bronze.
Janet Burchill & Jennifer McCamley, ‘Throw Field 2’, 2022. Bronze, 17 x 73 x 105 cm.
Janet Burchill & Jennifer McCamley, ‘Throw Field 2’, 2022. Bronze, 17 x 73 x 105 cm.
Irene Hanenbergh, ‘Mistress Catherine Fanshawe’, 2021. Oil on canvas, 18 x 13 cm (painting size) / 25 x 20 cm (framed).
Irene Hanenbergh, ‘Global Country of World Peace in Vlodrop’, 2020. Oil, pencil and ink on canvas, 18 x 13 cm (painting size) / 25 x 20 cm (framed).
Irene Hanenbergh, ‘Powerful, unrealisable properties’, 2020. Oil and ink on canvas, 18 x 13 cm (painting size) / 25 x 20 cm (framed).
Irene Hanenbergh, ‘Grand Duchy of Flandrensis (2008)’, 2020. Oil on canvas, 18 x 13 cm (painting size) / 25 x 20 cm (framed).
Irene Hanenbergh, ‘Lighthouse fire’, 2020. Oil and ink on canvas, 18 x 13 cm (painting size) / 25 x 20 cm (framed).
Irene Hanenbergh, ‘Faded last yellow’, 2021. Oil on canvas, 18 x 13 cm (painting size) / 25 x 20 cm (framed).
Irene Hanenbergh, ‘Strefi Hill Parea (1885)’, 2020. Oil and ink on canvas, 18 x 13 cm (painting size) / 25 x 20 cm (framed).
Irene Hanenbergh, ‘Glacial Moraine’, 2022. Oil on canvas, 22.5 x 13 cm (painting size) / 29 x 19.5 cm (framed).
Irene Hanenbergh, ‘Brugmansia’, 2021. Oil on canvas, 13 x 18 cm (painting size) / 20 x 25 cm (framed).
Irene Hanenbergh, ‘Quality Troupes’, 2021. Oil, pencil and ink on canvas, 18 x 13 cm (painting size) / 25 x 20 cm (framed).
Irene Hanenbergh, ‘Fancy Cabinet’, 2021. Oil on canvas, 13 x 18 cm (painting size) / 20 x 25 cm (framed).
Dale Frank, ‘Shannon worked as a removalist for Wilsons, and quietly enjoyed how he always got an erection in his shorts when carrying wardrobes from the rear up flights of stairs’, 2022. Colour pigments in easycast resin, epoxyglass, on perspex, 200 x 200 cm.
