Neon Parc

With a career spanning from 1975 to the present, Dale Frank (b. 1959) is celebrated in Australia and internationally as one of the most important artists of his generation and has pursued a diverse and influential practice characterised by a dedicated commitment to painting and its formal and conceptual possibilities.

For the artist’s fifteenth solo project with the gallery at Untitled Art, Miami Beach, Dale has produced a new suite of paintings which reveal a powerful evolution of the artist’s honed technique and trace his development using a new medium—translucent dye— in concert with various resins and processes.

In this body of work, vivid colors ranging from sapphire blue, deep scarlet red to luminous neon pink, oscillate between tiny galaxies of color and large opulent, gestural spills, creating a vivid, immense physicality.

Dale Frank’s work is held in all major Australian state galleries and internationally in the Solomon R. Guggenheim Museum, New York; Museum of Fine Arts, Boston; Zurich Kunsthaus; Auckland Art Gallery Toi o Tamaki; Musée de Ville de Liège; and the Museum of New Zealand Te Papa Tongarewa, among others.

Emerging Australian artist Hugo Blomley (b. 1998) presents his first US exhibition within the Special Projects section of Untitled Art, Miami Beach with a striking suite of formalist sculptures. Crafted from fiberglass, bronze, wax, and automotive paint, each piece is polished to a slick, high-gloss finish—at once seductive and mysterious.

Working primarily in sculpture, Blomley’s practice interrogates the imposition of synthetic systems on organic flows of energy and meaning. His work critically examines the reduction of complex structures into simplified, abstracted forms, highlighting the shifts and distortions that arise in the translation between input and output.

Blomley’s sculptural forms suggest the familiar—bodily, mechanical, or medical—but never resolve into clear definitions. Their ambiguity invites a sense of “almost knowing,” where recognition hovers just out of reach.

Through this careful attention to form, finish, and spatial context, Blomley’s sculptures encourage viewers to look—and then look again—remaining open-ended and resistant to easy interpretation.

Hugo Blomley completed a Bachelor of Fine Arts (Painting) at the Victorian College of the Arts in 2020 and Honours in 2022 at Monash University. He has exhibited widely in Melbourne and Sydney over the past three years.