Neon Parc acknowledges the Wurundjeri Woi Wurrung and Bunurong Boon Wurrung as the Traditional Owners and sovereign custodians of the Country on which we operate. We pay our deepest respects to their Elders past and present. Always was, always will be Aboriginal land.
‘A Gateway to Possible Worlds’, Centre Pompidou-Metz, Metz Cedex, France
‘What a Wonderful World’, MAXXI – Museo nazionale delle arti del XXI secolo, Romex
‘Beneath the Skin, Between the Machines’, HOW Art Museum, Shanghai
2021
‘Ticket to the Future’, Kunstmuseum Bonn, Germany
‘The 34th Ljubljana Biennale of Graphic Arts: Iskra Delta’, International Centre of Graphic Arts, Ljubljana
‘Concrete’ Tophane-I Amire Culture & Arts Center, Mimar Sinan Fine Art University,
Istanbul, Turkey
‘58th October Salon: The Dreamers’, Belgrade Biennale, Serbia
2020
‘Le Cours des Choses’, CAPC - Musée d’Art Contemporain, de Bordeaux, Bordeaux Cedex
‘Art in the Age of Anxiety’, Sharjah Art Foundation, Arts Area, Sharjah
Musée d’Art Moderne Grand-Duc Jean, Luxembourg-Kirchberg
‘Festival Hors Pistes 15e Édition’, Centre Pompidou, Paris
2019
‘Shenzhen - Hong Kong Bi-City Biennale of Urbanism/Architecture’, Shenzhen - Hong Kong
‘Serious Games’, How Art Museum, Shanghai
‘The Coming World: Ecology as the New Politics 2030-2100’, Garage Museum of Contemporary Art, Moscow
‘May You Live in Interesting Times - 58th International Art Exhibition’, La Biennale di Venezia, Venice
2018
‘6th Athens Biennale ANTI’, Athens Biennale
‘I Was Raised on the Internet’, Museum of Contemporary Art Chicago - MCA
‘Unlimited’, Art Basel
2017
‘Dream Machines’, James Cohan Gallery, New York
‘.COM/.CN – CO-PRESENTED BY KAF AND MOMA PS1’, K11 Art Foundation, Shanghi After Us, K11 Art Foundation, Shanghai
‘Frieze Projects’, Frieze, New York
2016
‘Public, Private, Secret’, International Center of Photography, New York
‘What People Do For Money’, Manifesta 11: The European Biennial of Contemporary Art, Zurich
‘The Present in Drag – 9th Berlin Biennale’, Berlin Biennale for Contemporary Art
‘Electronic Superhighway’, Whitechapel Gallery, London
Public Collections
Banque Nationale, Montreal
Burger Collection, Hong Kong
Centraal Museum, Utrecht
Dallas Art Museum, Dallas
Fosun Foundation Collection, Shanghai
Julia Stoschek Collection, Dusseldorf
Kadist Foundation, Paris and San Francisco
Louisiana Museum of Modern Art, Humlebaek
MAXXI – Museo nazionale delle arti del XXI secolo, Rome Moderna Museet, Stockholm
Musée des beaux-arts de Montreal
Musée d’art Contemporain de Montreal Museo d’arte Contemporanea Roma, Rome
Museum of Modern Art, New York
National Gallery of Canada, Ottawa
RBC Collection, Toronto
Rubell Family Collection, Miami
Stedelijk Museum, Amsterdam
Ville de Montreal
Zabludowicz Collection, London
(close)Jon Rafman, '𐤌𐤄𐤅𐤌𐤄𐤟𐤁𐤅𐤅𐤋𐤎𐤈𐤓𐤉𐤈𐤟𐤚𐤚 (Riot on Wallstreet IV)'. Inkjet print and synthetic polymer paint on canvas, 186.70h x 134.60w cm.Jon Rafman, '𐤌𐤄𐤅𐤌𐤄𐤟𐤁𐤁𐤉𐤕𐤟𐤒𐤐𐤄𐤟𐤁𐤉𐤏𐤓𐤅𐤕𐤟𐤄𐤂𐤔𐤌 (Riot in Rainforest Café)'. Inkjet print and synthetic polymer paint on canvas, 186.70h x 134.60w cm.'ɐɹqɐpɥǝʞ ɐɹʌɐ', 2023, Neon Parc, Brunswick.'ɐɹqɐpɥǝʞ ɐɹʌɐ', 2023, Neon Parc, Brunswick.'ɐɹqɐpɥǝʞ ɐɹʌɐ', 2023, Neon Parc, Brunswick.'ɐɹqɐpɥǝʞ ɐɹʌɐ', 2023, Neon Parc, Brunswick.'ɐɹqɐpɥǝʞ ɐɹʌɐ', 2023, Neon Parc, Brunswick.Jon Rafman, '𐤌𐤄𐤅𐤌𐤄𐤟𐤁𐤇𐤍𐤉𐤅𐤍𐤟𐤄𐤒𐤍𐤉𐤅𐤍 (Riot in the Mall Parking Lot)'. Inkjet print and synthetic polymer paint on canvas, 186.70h x 134.60w cm.Jon Rafman, '𐤌𐤄𐤅𐤌𐤄𐤟𐤁𐤃𐤉𐤉𐤍𐤓 (Riot in the Diner)'. Inkjet print and synthetic polymer paint on canvas, 186.70h x 134.60w cm.'ɐɹqɐpɥǝʞ ɐɹʌɐ', 2023, Neon Parc, Brunswick.Jon Rafman, '𐤐𐤀𐤍𐤉𐤒𐤄𐤟𐤏𐤋𐤟𐤄𐤇𐤅𐤐 (Panic on the Beach)'. Inkjet print and synthetic polymer paint on canvas, 186.70h x 134.60w cm.'𝐸𝒷𝓇𝒶𝒽 𝒦’𝒹𝒶𝒷𝓇𝒾', 2023, Sprüth Magers, London.'𝐸𝒷𝓇𝒶𝒽 𝒦’𝒹𝒶𝒷𝓇𝒾', 2023, Sprüth Magers, London.'𝐸𝒷𝓇𝒶𝒽 𝒦’𝒹𝒶𝒷𝓇𝒾', 2023, Sprüth Magers, London.'𝐸𝒷𝓇𝒶𝒽 𝒦’𝒹𝒶𝒷𝓇𝒾', 2023, Sprüth Magers, London.'Ɛցɾҽցօɾҽʂ and Grimoires', 2023, Schinkel Pavillion, Germany.'Ɛցɾҽցօɾҽʂ and Grimoires', 2023, Schinkel Pavillion, Germany.'Ɛցɾҽցօɾҽʂ and Grimoires', 2023, Schinkel Pavillion, Germany.'Ɛցɾҽցօɾҽʂ and Grimoires', 2023, Schinkel Pavillion, Germany.'Ɛցɾҽցօɾҽʂ and Grimoires', 2023, Schinkel Pavillion, Germany.'May You Live in Interesting Times', 2019, 58th Venice Biennale.'May You Live in Interesting Times', 2019, 58th Venice Biennale.'Art in the Age of the Internet, 1989 to Today', 2018, ICA Boston.'I Have Ten Thousand Compound Eyes and Each is Named Suffering', 2016, Stedelijk Museum, Amsterdam.'I Have Ten Thousand Compound Eyes and Each is Named Suffering', 2016, Stedelijk Museum, Amsterdam.'I Have Ten Thousand Compound Eyes and Each is Named Suffering', 2016, Stedelijk Museum, Amsterdam.'I Have Ten Thousand Compound Eyes and Each is Named Suffering', 2016, Stedelijk Museum, Amsterdam.'I Have Ten Thousand Compound Eyes and Each is Named Suffering', 2016, Stedelijk Museum, Amsterdam.Jon Rafman, 2015, Zabludowicz Collection, London.Jon Rafman, 2015, Zabludowicz Collection, London.'I Have Ten Thousand Compound Eyes and Each is Named Suffering', 2016, Stedelijk Museum, Amsterdam.Jon Rafman, 2015, Zabludowicz Collection, London.Jon Rafman, 2015, Zabludowicz Collection, London.Jon Rafman, 2015, Zabludowicz Collection, London.Jon Rafman, 2015, Zabludowicz Collection, London.Jon Rafman, 2015, Zabludowicz Collection, London.'9-Eyes of Google Street View', 2012, Moscow Photobienniale, Central Exhibition Hall Manege, Moscow.'9-Eyes of Google Street View', 2012, Moscow Photobienniale, Central Exhibition Hall Manege, Moscow.'9-Eyes of Google Street View', 2012, Moscow Photobienniale, Central Exhibition Hall Manege, Moscow.'9-Eyes of Google Street View', 2012, Moscow Photobienniale, Central Exhibition Hall Manege, Moscow.'9-Eyes of Google Street View', 2012, Moscow Photobienniale, Central Exhibition Hall Manege, Moscow.
