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Neon Parc acknowledges the Wurundjeri Woi Wurrung and Bunurong Boon Wurrung as the Traditional Owners and sovereign custodians of the Country on which we operate. We pay our deepest respects to their Elders past and present. Always was, always will be Aboriginal land.

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Jon Rafman
‘Encounters at Art Basel Hong Kong 2025’
Hong Kong Convention and Exhibition Centre
27 Mar.–30 Mar.
2025

Neon Parc is thrilled to present ‘SIGNAL ROT’, an installation by Jon Rafman featured in E11 the ‘Encounters’ sector of Art Basel Hong Kong, curated by Alexie Glass-Kantor.

Television has long shaped collective memory, but what happens when AI takes over the signal? SIGNAL ROT reimagines broadcast media as an algorithmic spectacle where music videos, animations, and experimental content morph and converge. Expanding on his exploration of digital culture and virtual worlds, Jon Rafman constructs a media environment that mirrors and distorts the hyperconnected era.

Jon Rafman, ‘Signal Rot (Catastrophonic I-IV) Installation’ 2025. Multimedia video installation, custom inkjet on polyester, custom wrapped sofa, single channel video and sound, 700 x 650 x 900 cm, 21:26 runtime.

At the core of SIGNAL ROT are AI-generated videos created by Rafman and a small team, showcasing how new technologies enable artists to accomplish what once demanded vast resources. The installation features “Catastrophonics,” a groundbreaking series by Rafman’s musical creation Iron Tears. This four-part work seamlessly stitches AI-manipulated disaster footage into hypnotic sequences that embody themes of technological mediation and collective trauma. Viewers experience these videos from within a recreated sinking car interior, an enclosed space that intensifies feelings of voyeurism and vulnerability, challenging our relationship with mediated disaster and blurring the line between observer and participant in our screen-dominated reality.

Referencing the communal experience of MTV’s golden age, the work collapses nostalgia and automation, blending human creative direction with synthetic imagery. What emerges is a hybrid space where cultural memory is reshaped, reflecting the ways digital platforms recycle, manipulate, and fragment the visual lexicon of contemporary life.

Blurring the boundaries between art, media, and machine-generated storytelling, SIGNAL ROT interrogates the accelerating cycles of production and consumption in the digital age. The installation immerses viewers in a hypnotic, disorienting environment—one where meaning is fluid, images mutate in real-time, and the past is endlessly reconfigured. Rafman’s practice continually probes the shifting intersections of the virtual and physical, revealing how artificial intelligence, internet culture, and media saturation shape perception. SIGNAL ROT is a meditation on the fate of cultural memory in an era of infinite reproduction, asking what is lost—and what is created—in the endless churn of algorithmic storytelling.

Hong Kong Convention &
Exhibition Centre
1 Harbour Road, Wan Chai
Hong Kong, China

Opening Hours

VIP Day (by invitation only):
First Choice | Wednesday, March 26, 12–8pm

Vernissage
Thursday, March 27, 4–8pm

Public Days
Friday, March 28, 2–8pm
Saturday, March 29, 2–8pm
Sunday, March 30, 12–6pm

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Exhibitions (3)