Teelah George was born in 1984 in Boorloo/Perth, Australia. Lives and works between Boorloo/Perth and Naarm/Melbourne, Australia.
Teelah George’s practice employs paint, textile, bronze and found objects, responding to glitches and slippages in the documentation and recounting of history and memory. Drawing on historical records and visual art, she has an ongoing interest in material culture, as well as collections and archives as a point of departure in her practice.
Teelah unpacks historical understandings of material relationships and the stories that they tell. Engaging with specific ideas, objects or works, she aims to subvert material and contextual hierarchies in an effort to create new potentialities.

Selected works (28)
Exhibitions (2)
Brunswick
11 Apr.–17 May.
2025
City
10 Jul.–3 Aug.
2019
Curriculum vitae (PDF)
Recent Solo exhibitions
- 2025
- ‘Theory of Pearl’, Neon Parc, Melbourne
- 2022
- ‘The Rose has Teeth in the Mouth of the Beast’, Laree Payne Gallery, Hamilton, New Zealand
- 2019
- ‘The Weight’, Neon Parc, Melbourne
- 2018
- ‘A soft gap’, Gallery 9, Sydney
- 2017
- ‘Lovers’ Ponytails’, Orexart, Auckland, NZ
- 2016
- ‘Yellowing’, Feltspace, Adelaide
- ‘The Changing of the Valves’, Schoolhouse Studios, Melbourne
- ‘Sleazy Vignette’, Rubicon ARI, Melbourne
- 2015
- ‘Face Vase and Rag Painting’, Bus Projects, Melbourne
- ‘Between the objects to be fastened’, Seventh Gallery, Melbourne
- 2014
- ‘Daily exercise’, PICA studio 1, Perth
- ‘Use to stop doors from rattling in frames’, Venn Gallery, Perth
- 2013
- ‘Meatworks Men’s Qrtrs’, OK Gallery, Northbridge, Perth
Selected group exhibitions
- 2024
- ‘Radical Textiles’, Art Gallery of South Australia, Adelaide
- ‘Future Remains: The 2024 Macfarlane Commissions’, Australian Centre of Contemporary Art, Melbourne
- ‘Inner Sanctum: 18th Adelaide Biennial’, Art Gallery of South Australia, Adelaide
- 2023
- ‘Frozen Blood’, Neon Parc, Melbourne
- ‘Melbourne Now’, National Gallery of Victoria, Melbourne
- ‘Sydney Contemporary’, Neon Parc, Sydney
- 2022
- ‘Pliable Planes’, University of New South Wales Gallery, Sydney and touring venues
- 2021
- ‘Love in Bright Landscapes’, Perth Institute of Contemporary Arts, Perth
- 2020
- ‘House Arrest’, Neon Parc, Melbourne
- 2019
- ‘Here and Now: Material Culture’, LWAG, Perth
- ‘Ritual’, There is, Perth
- 2018
- ‘No Second Thoughts’, Lawrence Wilson Gallery, Perth
- ‘Sydney Contemporary’, Gallery 9, Sydney
- ‘Melbourne Art Fair’, Neon Parc, Melbourne
- 2017
- ‘Groupie’, Sullivan + Strumpf, Sydney
- ‘Paint17’, Artereal Gallery, Sydney
- ‘Spring 1883’, Neon Parc, The Establishment Hotel, NSW
- ‘Primavera 2017: Young Australian Artists’, Museum of Contemporary Art, Sydney
- ‘Ramsay Art Prize exhibition’, AGSA, SA
- ‘Artist Profile: Australasian Painters 2007 – 2017’, NSW
- ‘Our Studio Selves’, Artspace, Sydney
- ‘Anna Calder-Teelah Geroge-Fiona Schoer’, CAVES, Melbourne
- ‘Project 17: Radical Immanence’, Anna Pappas Gallery, Melbourne
- 2016
- ‘Methods for making eye contact’, First Draft, Sydney
- ‘New Strokes’, Gallery 9, Sydney
- ‘All-Seeing Eyes by the Beige Garden Bed’, Pet Projects, Perth
- 2015
- ‘Epic Narratives’, PICA, Perth
- ‘Getting Things Done’, Fontanelle Gallery, Adelaide
- 2014
- ‘Horizon: Exploring the west coast with The Clipperton Project’, Fremantle Arts Centre, Perth
- ‘Summer Show’, Venn Gallery, Perth
- ‘WIN/WIN’, Hugo Michell Gallery, Adelaide
- ‘Will to Keep’, 107 projects / Archive Space, Sydney
- ‘Painting is dead; long live painting’, Melody Smith Gallery, Perth
- ‘Thematic Mapping’, MOANA Project Space, Perth
Awards
- 2017
- Finalist, The Ramsay Art Prize AGSA, SA
- 2016
- Finalist, John Stringer Prize, WA
- 2015
- Finalist, Bankwest Invitation Art Prize, WA
- Winner non-acquisitive prize, FAC Print Award, WA
- Finalist, Biennial Guirguis New Art Prize, Post Office Gallery, Ballarat, VIC
- 2014
- Overall winner, City of Joondalup Invitation Art Award, WA
- Finalist, Town of Victoria Park Art Awards, WA
- Finalist, Rick Amor Drawing Prize, VIC
- 2013
- Semi Finalist, Doug Moran Portrait Prize, NSW
- Finalist, Fremantle Print Awards, WA
Residencies
- 2015
- Artsource Artspace Residency, Sydney
- 2014
- PICA AIR Program, Perth
- 2013
- AIR Program, Fremantle Arts Centre, Fremantle
Collections
- Artbank, Australia
- Museum of Contemporary Art, Sydney
- University of Western Australia, Perth
- Art Gallery of Western Australia, Perth
- Cruthers Collection of Womens Art, Perth
- City of Joondalup Collection, Perth
- Macquarie Bank Collection, Australia
- National Gallery of Australia, Canberra
- Museum of Old and New Art, Tasmania
- Monash University Museum of Art, Melbourne
Selected Bibliography
- Gemma Weston ‘Teelah George’, Primavera Catalogue, 2017.
- Kylie Maslen, ‘Hang me up on a wall –invisible illness reflections and the Ramsay Art Prize’, Fineprint Issue #12, 2017.
- Briony Dawes, ‘What next’, Art Collector, Jul-Sep Issue, 2017.
- Ted Snell, Artist Profile Feature, Issue 35 IMPRINT magazine, Feature cover artist, March 2016.
- Ted Snell, ‘Artist to Watch’, SCOOP Homes and Art, Summer 2015.
- Lauren Rogers, ‘Progressive Printmaking’, IMPRINT Vol 50 #4 2015.
- Sarah McNeil, ‘Banner’s final flutter’, Post Newspaper, Sep 26th 2015.
- Gemma Weston ‘Getting Things Done’ Broadsheet,015.
- Maura Edmond, ‘Interview, Face Vase and Rag Painting,’ PRIMER, 7, 2015.
- Glenn Barkley ‘Teelah George Shannon Lyons Clare Peake’ Win Win catalogue, 2014.
- Sarah Werkmeister ’Preview: Win Win’ Art Guide, September-October 2014.
- Gemma Weston ‘Teelah George’ Use to stop doors from rattling in frames Catalogue 2014.
- Jasmin Stephens / Elli Walsh ‘Platform’ ARTAND, May 2014
- Sarah McNeill, ‘Artist re-creates obscured memories’ Post 2013
- Kate Mullen, ‘A Navigation of Negative Space’ Thematic Mapping Catalogue, 2013
- Laetitia Wilson, ‘Unease on the brink of doom’, West Australian, 2013
- Christina Chau, ‘Teelah George: Meatworks Mens Qrtrs’, The Ugliest Man Competition Catalogue 2013.