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Neon Parc acknowledges the Wurundjeri Woi Wurrung and Bunurong Boon Wurrung as the Traditional Owners and sovereign custodians of the Country on which we operate. We pay our deepest respects to their Elders past and present. Always was, always will be Aboriginal land.

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Kieren Seymour
‘Sins of the Cloud’
Brunswick
26 Jul.–24 Aug.
2024

Neon Parc is excited to present ‘Sins of the Cloud’, a solo exhibition by Kieren Seymour at Neon Parc Brunswick. For the artists’ third solo project with the gallery, Seymour presents a new series of oil paintings which evoke a nonsensical dreamlike world inhabited by mythical creatures and motifs.

Exploring the rapid rate at which Artificial Intelligence is growing, Seymour’s new paintings collectively lament the stark binary of dystopia and utopia which the fast-approaching tipping point of the next decade will inevitably offer. Seymour thinks about making this body of work “like writing science fiction or fantasy” where he imagines possible future scenarios in which there are no limits, no logic, no rules.

Seymour has always been interested in the co-existence between humans, animals, environments and their emotive states. In this series he paints characters such as an enormous skeleton bird discovering its hands and feet; a woman typing frantically on her computer; and a yellow and red sun with eyes and a mouth, all as if they are equal protagonists in their own allegory. We meet these characters in moments of flux, and we are encouraged to invent their narratives or backstories.

In ‘The Drudgery of Choosing a Face’, 2024 a small headed character with an oversized body carries twenty-one blank faces, tied together like a garland of floating balloons with string. He moves through the painting holding the faces, journeying towards the bodies who will choose from them. Throughout the rest of the exhibition, floating heads of both animals and humans appear, personifying the disconnect between soul, mind and body.

‘Fighting And Making Money’, 2024 depicts two green four-legged sprite-like creatures who face one another and connect through their heads and arms. The title suggests the characters are in duel, but the peaceful composition conveys a spiritual bonding in which the two are metamorphosising into one. This is echoed by the two large canvas panels which are fused together at the characters intersection. Colourful diamond-shaped amulets float around them – perhaps representing a digital or intangible currency. The lightness of touch Seymour employs in this wistful scenario, sits in direct contrast to other paintings in the series which are darker in hue and more painterly in texture.

‘Modern Space’, 2024 features a blue and black totemic crucifix with a blue-haired human trapped inside, his hands raised like a messiah. Floating heads of dogs and people look towards the figure in tense anticipation. ‘Sins of the Cloud’ brims with mythology and ambiguous narratives, which loosely explore how the (i)Cloud may have a lot to answer for, if it doesn’t end up devouring us. Seymour’s idiosyncratic paintings feel at once futuristic and ancient – almost as if they are contemporary cave drawings of primordial creatures or sleep-paralysis demons, immersing us in the artists’ unsettling yet oddly captivating vision of what could be on our horizon.

Seymour was born in London and lives and works in Barwon Heads, Victoria. He is currently a PhD candidate at Deakin University (2021), with a Masters of Fine Art from Bard MFA (2018) and a Bachelor of Fine Arts (Honours) from RMIT (2015).

Selected recent solo and two-person shows include An Endless Supply, Hamish McKay, Wellington (2022) WORLD BUILDER, WORLD DESTROYER, Neon Parc, (2022) Rucas, Bitcoin and The Four Seasons, Neon Parc (2021), Blue Blindness, NKN (2018), Love Job, Kieren Seymour & Dana Hoey, Sutton Projects (2017), Meet The Family, RMIT Project Space (2017), Peace of Mind, Kieren Seymour & Holly Wilson, RM, Auckland (2015), Burning Your Furniture to have the Warmest House in the Street, Kieren Seymour and Jackson Slattery, Alaska Projects, Sydney (2015).

Selected recent group shows include The National 4: New Australian Art, Museum of Contemporary Art, Sydney (2023), Monash University Museum of Art (MUMA), Melbourne, curated by Jennifer Higgie (2023), Zombie Eaters, Murray Art Museum, Albury (2022) Variations, Blindside Gallery, Melbourne (2022), Laugh Now, Cry Later, Artist pages Un Magazine (2017) Group show at Torrance Art Museum, Los Angeles (2017), They Sprayed Him With Hisses, West Space (2017), Waiting For The Sun To Rise, TCB (2017), A Global Audit: Drawing Everywhere, SACI Institute, Florence Italy (2016) Sydney Contemporary, Curated by ACMI (2015).

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